Tag Archives: Film Review

Les Choristes (The Chorus)

Music, patience and compassion are a far cry from the discipline-maxim ‘Action-Reaction,’ barked by the headmaster of Fond de l’Etang (Rock Bottom), the boarding school for ‘difficult boys.’ It’s 1948, and punishment is administered with a steady, consistent hand: lashings … Continue reading

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Timbuktu

An elegiac, much-lauded film, in which love, family, music, faith and football (plus a little eccentricity) bind the town of Timbuktu, despite the controlling, uncompromising presence of the Jihadists. Abderrahmane Sissako directs and writes with a poet’s sensibility, seeking emotional … Continue reading

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Elle L’Adore (She Worships Him)

An obsessive fertile imagination is vital to securing freedom for divorced Parisian beautician, Muriel (Sandrine Kiberlain) in this Claude Chabrol-style thriller. When rock star Vincent Lacroix (Laurent Lafitte) accidentally kills his girlfriend during a lover’s tiff, he approaches Muriel, his … Continue reading

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A conversation with Marie Rivière … Eric Rohmer’s intelligent adoration of women

Eric Rohmer’s Le Rayon Vert (‘The Green Ray’) and La Femme De L’Aviateur (‘The Aviator’s Wife’) are part of my summer blood. I watch them every August and in my mind they are like old friends, associated with clear night … Continue reading

Posted in Auteur, British Film Institute, Comedies and Proverbs, Comedy, Eric Rohmer, French Cinema, French Cinema French Film, French Film, Interview, romance, The Green Ray, The New Wave, Vacation Movies | Tagged , , , , , , , , , , , , , , , , | Leave a comment

Au Coeur du Mensonge (The Colour of Lies)

Claude Chabrol masters melancholia as well as suspense in a tale that starts abruptly with a young girl found murdered in the woods of a Breton coastal-town. The last person to see her is her art teacher, René (Jacques Gamblin), … Continue reading

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Partir (Leaving)

A fine line divides madness and rational thought in Catherine Corsini’s psychological study of dissatisfied Suzanne (Kristin Scott Thomas), the bourgeois wife of a doctor, and mother to two unappreciative teenagers. The plot’s bare bones (housewife falls in love with … Continue reading

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